This story takes place two years after the events of the previous film “Godzilla Minus One” and is scheduled for release on November 3, 2026. (Previous article for Godzilla Minus One: [N5] What does “adjective + no” mean?)
On-screen text (テロップ)
東宝 東宝株式会社
てろっぷ: とうほう とうほうかぶしきがいしゃ
Teroppu: Tōhō Tōhō Kabushikigaisha
Telop: Toho Toho Co., Ltd.
Murakami (村上)
ゴジラは…
むらかみ: ごじらは…
Murakami: Gojira wa…
Murakami: As for Godzilla…
On-screen text (テロップ)
あの絶望から2年
てろっぷ: あのぜつぼうからにねん
Teroppu: Ano zetsubō kara ni nen
Telop: Two years since that despair.
Murakami (村上)
核攻撃にも耐えるそうですが。
むらかみ: かくこうげきにもたえるそうですが。
Murakami: Kaku kōgeki ni mo taeru sō desu ga.
Murakami: I hear that he even survives nuclear attacks.
Noda (野田)
それは…人間のやっていいことの範疇越えてる。
のだ: それは…にんげんのやっていいことのはんちゅうこえてる。
Noda: Sore wa… ningen no yatte ii koto no hanchū koeteru.
Noda: That… is exceeding the scope of what human beings are permitted to do.
Shikishima (敷島)
あんた、自分がいったい何してんのか、わかってんのかよ?
しきしま: あんた、じぶんがいったいないしてんのか、わかってんのかよ?
Shikishima: Anta, jibun ga ittai nani shiten no ka, wakatten no ka yo?
Shikishima: Do you even understand what on earth you yourself are doing?
On-screen text (テロップ)
人間の罪と罰。もう、無には戻れない。
てろっぷ: にんげんのつみとばつ。もう、ぜろにはもどれない。
Teroppu: Ningen no tsumi to batsu. Mō, zero ni wa modorenai.
Telop: The crime and punishment of humanity. We can no longer return to zero.
📖 Grammar Explanation
Let’s break down each sentence and analyze the grammar!
1. 村上:ゴジラは…
- Proper Noun & Particle: “ゴジラ (Gojira)” is a proper noun, marked by the topic particle “は (wa)” to introduce Godzilla as the main theme, dramatically trailing off to convey suspense.
2. テロップ:あの絶望から2年
- Demonstrative Modifier: “あの (ano)” is a demonstrative modifier used for something distant or emotionally significant, modifying the noun “絶望 (zetsubō – despair)”. In this context, it functions as a stylistic reference to the shared memory of the catastrophic events from the previous film “Godzilla Minus One”.
- Particle: “から (kara)” is a particle meaning “since” or “from”, connected to “2年 (ni nen – two years)”.
3. 村上:核攻撃にも耐えるそうですが。
- Indirect Object & Emphasis: “核攻撃に (kaku kōgeki ni)” uses the noun meaning “nuclear attack” with the indirect object particle “に (ni)” required by the verb “耐える (taeru – to endure/survive)”. “も (mo)” is a particle meaning “also”” or “even”, adding emphasis to the extreme situation.
- Modality Expression: “そうですが (sō desu ga)” is a modality expression combining the hearsay suffix “そう (sō – I hear/it is said)” with the polite copula “です (desu)” and the conjunctional particle “が (ga – but/however)”, which implies a lingering worry or question.
4. 野田:それは…人間のやっていいことの範疇越えてる。
- Topic Setting & Relative Clause: “それは (sore wa)” sets “that action” as the topic. “人間のやっていいこと (ningen no yatte ii koto)” forms a relative clause where the particle “の (no)” replaces the subject particle “が (ga)” to mark “humans”, modifying “こと (koto – thing)”.
- Noun Connection & Verb Contraction: “の範疇越えてる (no hanchū koeteru)” connects the noun phrase with the modifying particle “の (no)” to “範疇 (hanchū – scope/category)”. It is followed by “越えてる (koeteru)”, which is a casual contraction of the progressive verb “越えている (koete iru – is exceeding)” with the “い (i)” sound dropped, emphasizing a continuous state in natural spoken Japanese. The object particle “を (wo)” is casually omitted.
5. 敷島:あんた、自分がいったい何してんのか、わかってんのかよ?
- Grammar Pattern: This sentence prominently features the grammar pattern “いったい X か (ittai X ka)”, which is used to add strong emphasis to an interrogative sentence, translating to “what on earth…?” or “what in the world…?”.
- Connection: “いったい (ittai)” functions as an intensifying adverb placed before the interrogative pronoun “何 (nani – what)”, and the sentence is framed by the embedded question particle “か (ka)”.
- Explanatory Modality: “何してんのか (nani shiten no ka)” is a casual contraction of “何をしているのか (nani wo shite iru no ka)”, utilizing the explanatory modality particle “の (no)” to seek clarification about an ongoing action.
- Aggressive Modality Combination: “わかってんのかよ (wakatten no ka yo)” is a highly casual contraction of “わかっているのかよ (wakatte iru no ka yo)”. The sentence-ending particle combination “かよ (ka yo)” creates a aggressive, confrontational modality, expressing irritation or strong disbelief towards the listener “あんた (anta – you)”.
6. テロップ:もう、無には戻れない。
- Adverb: “もう (mō)” is an adverb meaning “already” or “no longer” when paired with a negative verb.
- Contrastive Focus: “無には戻れない (zero ni wa modorenai)” features the kanji “無 (mu / nothingness)” which is uniquely read out loud as “ぜろ (zero)” in this audio to deliver a stylized dramatic effect linked to the movie’s theme. The noun is followed by the destination particle “に (ni)” and the topic particle “は (wa)” to add contrastive focus.
- Negative Potential Verb Form: It concludes with “戻れない (modorenai)”, which is the negative potential form of the verb “戻る (modoru – to return)”, expressing an absolute lack of ability to undo the past.
Vocabulary List
| Word / Phrase | Meaning |
|---|---|
| 東宝 (Tōhō) | Toho (movie company) |
| 株式会社 (Kabushikigaisha) | Co., Ltd. |
| 絶望 (zetsubō) | despair |
| から (kara) | since / from |
| 2年 (ni nen) | two years |
| 核攻撃 (kaku kōgeki) | nuclear attack |
| に (ni) | target particle |
| も (mo) | even / also |
| 耐える (taeru) | to endure / survive |
| そう (sō) | hearsay (I hear that) |
| が (ga) | but / however (particle) |
| それ (sore) | that |
| 人間 (ningen) | human being |
| の (no) | subject particle in relative clause / noun-modifying particle |
| やっていい (yatte ii) | permitted to do / okay to do |
| こと (koto) | thing / matter |
| 範疇 (hanchū) | scope / category |
| 越えてる (koeteru) | exceeding (casual contraction) |
| あんた (anta) | you (casual) |
| 自分 (jibun) | oneself |
| いったい (ittai) | on earth / in the world |
| 何 (nani) | what |
| している (shite iru) | doing |
| か (ka) | question particle |
| わかっている (wakatte iru) | understanding / knowing |
| よ (yo) | sentence-ending particle for emphasis |
| もう (mō) | no longer / already |
| 無 (mu) | zero / nothingness / void (read as zero in the video) |
| 戻れない (modorenai) | cannot return (potential negative) |
Quick Quiz
Fill in the blanks ( ) to complete the natural conversation.
A: ( )これがおいしいのか、おいしくないのかわかりません。
B: あ、そこは食べるところじゃありませんよ。
1: 食べたい
2: おいしい
3: いったい
🔑 Check the Correct Answer & Explanation
Correct Answer: 3
📝 Dialogue Translation
A: I have absolutely no idea whether this is delicious or not. (What on earth is this flavor?)
B: Ah, that part is not meant to be eaten.
💡 Explanation
The adverb “いったい (ittai)” is used in conjunction with a question word or a questioning structure ending in “か (ka)” to add strong emphasis, expressing confusion, surprise, or a strong desire to find out the truth, meaning “on earth” or “in the world.” In this dialogue, the speaker is completely bewildered by the taste of something, so Option 3 “いったい (ittai)” is the correct choice to emphasize the embedded question “おいしいのか、おいしくないのか (whether it is delicious or not)”. Option 1 (食べたい – want to eat) and Option 2 (おいしい – delicious) do not function as intensifying adverbs to set up a question clause.


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